The Shield Imdb

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The Shield The Shield (–). TV-MA | 47 min | Crime, Drama, Thriller. Crime, Drama, Thriller 7 von 7 Staffeln bei SONY Nov Directed by Stephan Richter. With Jack Hofer, Simon Morzé, Christopher Schärf, Dominic Marcus Singer. Julian, a year old, dies surrounded by the colorful. serien. by herrnemeth | Public. serien. 52 titles. Supernatural 1. Supernatural (​–). TV | 44 min | Drama, Fantasy, Horror. ab s13 fehlt. The Wire 2. April 29, in Mainz, Rhineland-Palatinate, Germany. He is an actor, known for The Blacklist (), Counterpart () and Agents of S.H.I.E.L.D. (). The Shield – Gesetz der Gewalt ist eine US-amerikanische Krimiserie. Die Erstausstrahlung belledolci.co; ↑ Deutsche Synchronkartei: Deutsche Synchronkartei | Serien | The Shield - Gesetz der Gewalt.

The Shield Imdb

April 29, in Mainz, Rhineland-Palatinate, Germany. He is an actor, known for The Blacklist (), Counterpart () and Agents of S.H.I.E.L.D. (). IMDb, Action, Krimdrama, USA, Sesong 9, Episode Doug, ein Lieferant für die Firma `World Send', wird tot in seinem Lieferwagen aufgefunden. Während. In der fesselnden sechsten Season von THE SHIELD muss er einen brutalen Bandenmord ohne Hinweise auf den Täter IMDb 8, StaffelnX-Ray18+.

Im Haus kämpfte May sich durch Reihen von ausgebildteten Soldaten und tötete dabei viele. Als sie zu dem kleinen Mädchen kam, merkte sie erst, dass das kleine Mädchen eine Inhuman war und die ganzen Soldaten manipulierte.

Schweren Herzens entschied May sich dazu, das Kind zu töten. Als Coulson hereinstürmte, sah er May und das tote Kind in ihren Armen.

Seit diesem Tag war sie in der S. Allerdings waren die wenigen Personen mit solchen Fähigkeiten, die bekannt waren und von S.

Er nannte die Idee Avengers Initiative. Zudem sandte er Natasha Romanoff undercover als Sekretärin zu Stark, als dieser beim Alkohol mal wieder über die Stränge schlug.

Zur selben Zeit fing S. Innnerhalb kurzer Zeit erfuhr S. So eingebildet und unsympathisch, wie Stark das macht, lehnt die Armee das Ansuchen sofort ab.

Loki , Thors Stiefbruder, stahl jedoch den Tesserakt. Es gelang ihnen, Loki gefangen zu nehmen, wobei sich ihnen auch Thor anschloss, der seinen Bruder nach Hause holen wollte.

Loki stiftete jedoch Unruhe, wodurch Chaos auf dem Helicarrier ausbrach und er wieder fliehen konnte. Es stellte sich heraus, dass Loki nur auf Zeit gearbeitet hatte.

Selvig , der von Loki kontrolliert wurde, hatte bereits seinen Plan in die Tat umgesetzt: Eine Alieninvasion auf die Erde, durch ein vom Tesserakt erschaffenes Portal.

Fury versuchte alles, um den Start zu verhindern, doch es war zu spät. Zusammen mit den S. Stark zerstörte dabei mit der Atombombe die restliche Invasionsflotte.

Nachdem die verbleibenden loyalen Agenten tot oder untergetaucht waren, kontaktierte der vermeintlich tote Nick Fury Phillip Coulson und gab ihm den Auftrag, S.

D wieder aufzubauen. Dadurch wurde Phillip Coulson zum neuen Direktor von S. Zu diesem Zeitpunkt war die Organisation klein und musste sich andauernd vor der Regierung verstecken, die S.

Coulson verfügte über unbekannte Spender, die Geld zur Verfügung stellten — vermutlich Stark Industries. Während Coulson S.

Nach einigen Auseinandersetzungen wurden beide S. Splittergruppen vereint und Coulson als Direktor akzeptiert.

An Atlantic City politician plays both sides of the law by conspiring with gangsters during the Prohibition era.

A biker struggles to balance being a father and being involved in an outlaw motorcycle club. By day, mild-mannered Dexter is a blood-spatter analyst for the Miami police.

But at night, he is a serial killer who only targets other murderers. New Jersey mob boss Tony Soprano deals with personal and professional issues in his home and business life that affect his mental state, leading him to seek professional psychiatric counseling.

A chronicle of the lives of a dysfunctional family who run an independent funeral home in Los Angeles. A down-to-earth account of the lives of both illustrious and ordinary Romans set in the last days of the Roman Republic.

A drama about one of New York's most prestigious ad agencies at the beginning of the s, focusing on one of the firm's most mysterious but extremely talented ad executives, Donald Draper.

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

I only heard of The Shield a few weeks ago. I had only just finished watching a previous TV show from start to finish, and was after a new one to pass the time.

I'd never heard of it, but after checking to see that it was given a very respectable 8. When I started, I was not unimpressed, but at the same time, I didn't really get the immediately-hooked feeling like I did at the start of other TV shows like Prison Break, Dexter and Breaking Bad, amongst others.

However, unlike most TV dramas, The Shield got progressively better throughout its series. The characters were very complex and I can't think of a single main character who I had both rooted for at times, yet wanted to see their downfall in others.

As I said, the series got progressively better, but in no way was I expecting the finale to be as good as it was. I've seen a fair few TV series in my time, but no series finale that I've seen has even come close to matching this one.

An absolutely incredible finale of a quality that any series would have been proud of. I'd definitely recommend this show. To give the actual finale a rating out of ten would do it injustice as I'm sceptical that I'll ever see one as good as that.

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Alternate Versions. Rate This. Episode Guide. Follows the lives and cases of a dirty Los Angeles Police Department cop and the unit under his command.

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The Shield Imdb - Inhaltsverzeichnis

Der Aufbau kommt einer Dokumentation sehr nahe. Officer Nick Beroff, 17 years of service for Montreal's police, is not happy to be stuck with Ben Chartier, newly transferred from S. Official Sites. Wie sich herausstellt, wurden einzelne Scheine der Beute vom Finanzministerium markiert, um eigentlich die Armenier dingfest zu machen.

The Shield Imdb Video

Old Cap Gives The Shield To Falcon - Avengers: Endgame (2019) 4K

In the fourth season , Coulson returns to being a field agent so S. The fifth season sees Coulson and members of his team abducted to the space station Lighthouse in the year , where they must try to save the remnants of humanity while figuring out how to get home.

Season seven sees Coulson, now a Life Model Decoy, [14] and his team stranded throughout time, looking for clues to prevent the Chronicom hunters from establishing Earth as their new home, Chronyca The series was described as "'a kernel of an idea' with a number of scenarios being explored, including a high-concept cop show.

The series was renewed for a second season in May , [88] a third in May , [89] a fourth in March , [90] a fifth in May , [91] and a sixth in May In September , discussing the eventual end of the series, Tancharoen said, "You always just forge ahead.

Until someone tells us to stop, we will continue to move forward. We just need to know when that time is coming so we can build to it properly.

Bell explained that he, Jed Whedon, and Tancharoen supervise all of the series' creative decisions, often consulting with Loeb.

When the showrunners are writing the series, one person can write a script while the other two break stories, so that a story can be broken every few weeks.

If the executive producers sign off on a story, a member of the series' writers room then produces an outline, gets notes on it from the showrunners, writes a full script, gets notes on it from ABC and the production crew, and then goes to set to produce the episode.

In January , Joss Whedon deflected any direct influences from other series, such as the efforts of Fox Mulder and Dana Scully in The X-Files , and explained that while the show would involve people with powers and the spectacle of science-fiction storytelling, it would focus on "the peripheral people There was one person with powers, and then by The Avengers there were maybe six total On the balance between creating new material and drawing from existing mythology, Bell noted that telling stories that can entertain both Marvel fans and non-Marvel fans is challenging, and that for the series they try to add nods to the MCU films or the comics in a way that works well on its own for all viewers, but could also mean more for a fan.

Tancharoen elaborated that, "We're always going to be inspired and influenced by the comics, but of course on the show, we'll always be doing our spin to it.

He explained that the series does attempt to create "Marvel moments" as best it can, but pointed out that some of the more memorable moments from the films are smaller, character moments—something that works really well on television—so the series strives for those when it cannot afford more scope and scale.

In September , Bell looked back on the first two seasons and talked about the challenges of and changes in the series. He noted the negative reception from fans concerning the low number of recognizable characters like Coulson, but pointed out that fans seemed to have grown to like the series' original characters as they had been developed over time.

He explained that with the increasing number of characters and complex relationships in the series, having different pairings and building new emotional relationships was important, and stated that "whether it's a quiet moment or in action, we [hope to] deepen the audience's love and concern, and hopes for these characters.

The producers and writers initially formed a general plan for the show through the end of a third season, after reading the screenplays for upcoming MCU films.

We've had some major losses of people who have been with us on the show since season 1. From the table read to the first day on set, there's definitely a new energy of the show" moving forward.

Jed Whedon said the writers hoped to "skew a little darker because of" this change, with Loeb adding that "It absolutely offers opportunities.

I don't know that it changes things all that dramatically [though]. I mean, at the end of the day, Marvel is always going to make shows that run somewhere between PG and PG We're not going to be making Deadpool anytime soon on [ABC].

Loeb hoped that the combination of the later timeslot and the introduction of Ghost Rider would lead to some viewers who had stopped watching the series over the previous seasons giving it another chance.

In May , ahead of the fifth season renewal, Jed Whedon said the writers were not sure what would happen in the season, and that it would be "by the seat of our pants.

Whedon added, "we're ready for if this is the end. We're definitely going to make it rewarding either way. Bell said going into season seven knowing it would be the final season, they "took chances.

In October , a casting sheet for five lead roles was sent out. All season-two principal cast members returned for the third season, [4] with Simmons and Mitchell joining them, promoted from their recurring roles.

Betsy Heimann was the costume designer for the pilot, but left the series because of film commitments.

Assistant costume designer Ann Foley took over for subsequent episodes, and worked closely with Tancharoen to create "very strong, different characters" whose "looks evolve along with the show.

He is going to have one that he uses all of the time. After reading each script, Foley would do her own research, before discussing the look of the episode with the writers.

This process was often challenging because of the series' eight-day-per-episode schedule. The Quake costume incorporates elements from the comic version of the character, and was intended to show that Quake "could easily be part of the Avengers ".

Foley was also adamant about showing that characters such as Quake "don't have to be sexualised, that they're powerful, strong women", and so avoided "a lot of cleavage, you don't see high heels.

It's about practicality. The costumes go through a natural evolution in the series. There is a shift at the end of the first season to a darker look, and all the characters have "definitely grown up" during the second season.

In the third season there is another shift, "from the ragtag group of soldiers and scientists to [a] more precise militaristic outfit".

I think that you're going to see some subtle differences in the costumes of the characters"; she felt like Fitz and Simmons, in particular, had become "more adult looking", while all the cast had "a pretty specific Riley used her previous experience recreating costumes to "blend in" with Foley's established look.

The series' props department is led by Scott Bauer. The pilot introduces the Incapacitating Cartridge Emitting Railgun, or ICER, tranquilizer weapons often used by the agents, with Joss Whedon having Bauer design "sci-fi"-looking guns, including a large rifle-like weapon.

The series' further portrayal of the ICERs was more subtle, with Bauer using airsoft guns that are safe to shoot others with over a small distance.

ICER-specific muzzle flashes are then added by the visual effects department. The terrigen crystals that unlock Inhuman abilities in the series are 3D-printed from solid resin and then altered with extra details.

Hetrick began work on the series with the second season, to create Raina 's Inhuman look, [] and returned for the third season to design and create the more unusual-looking Inhumans such as Lash.

Throughout the series, Agents of S. For the fifth season, the opening of "Orientation" is reminiscent of the sequence for "4, Hours", forgoing the title card and having the typeface silently fading onto the screen.

Production for the pilot took place almost entirely in Los Angeles to accommodate Joss Whedon's schedule, [] while the rest of the series is primarily filmed in Culver City, California.

Garry Brown is the second unit director for the series, with stunts coordinated by Tanner Gill. FuseFX serves as the lead visual effects vendor for Agents of S.

This was important because most of the episodes had to be worked on concurrently, either two or three at a time.

Bear McCreary confirmed that he would compose music for the series in July But the orchestra is always our foundation.

Featuring music from the first two seasons, the soundtrack was written and produced by McCreary and Steven Kaplan, with the album produced by Joe Augustine with McCreary.

In , after working as an intern for McCreary, Jason Akers was asked to provide additional music for the series. McCreary hired Akers as a full time staff member in , and he began to have more artistic input into the series' music.

Akers is credited as co-composer alongside McCreary for the seventh season. In July , Jed Whedon said the series would work in tandem with the Marvel films, both past and upcoming, to weave in between the films, and to "try to make them more rewarding on both ends.

He stated that "ABC and Marvel both want the series to be able to make sense on its own", but that it was beneficial for the films to have the series fill in any "gaps" for them, due to having to be "big" and moving "quickly through a lot of huge pieces", unlike television which has time to deal with more nuances.

In January , Joss Whedon noted that this process "unfortunately just means the TV show gets, you know, leftovers.

Since then, they've blown those doors wide open. They know their stories so much further out than we do, which is good for us to tee up things that we know are coming to them or avoid things that they want to be special on the big screen.

As long as we are not covering bases that they're going to cover, we haven't been told "no" that much". As an example, Whedon noted the fourth season's Framework storyline as "something that's pretty significant in our world, but is also a little eddy in the river that doesn't affect anything else because it's an alternate universe.

So those kinds of stories help us go big without sending ripples through the whole MCU. The series mimics the films' post credits scenes with 'end tags', starting with the episode " " which features a Samuel L.

Jackson cameo. Bell explained, "Sometimes it'll be funny, sometimes it'll be a mythology thing The episode " T.

In May , Bennet called Agents of S. Henstridge also added that in past seasons, all of the episodes had to be reviewed to ensure they would not show something the films would be covering, but for the final season, "there was just such a sense of just abandon" with all the ideas the writers came up with allowed to happen.

Social media accounts for the series were set up in January , months before ABC officially ordered it, "a rarity for a pilot. August Richards noting that this brings instant feedback from viewers, and allows the crew to "watch the audience take that journey" in real time.

For the final six episodes of the first season, Marvel began the " Marvel's Agents of S. Bell stated that the initiative was a way to tie the series back to its comics roots, and was thought of at the beginning of the first season.

The production team tried to pair specific artists to the teaser posters based on their previous work and how it connected to the themes and emotion of the intended episode.

A five-part web series titled Agents of S. The web series follows a newly hired Agents of S. Cast and crew members from the series, such as Gregg, also appear, with viewers having the ability to vote in an online poll after each episode to guess where the double agent would go in the next episode; votes entered viewers in a drawing to win prizes from the set of Agents of S.

In Academy , three Agents of S. Members of the Agents of S. The series has been promoted with various subtitles at different times, including Agents of S.

Agents of S. The second and third seasons of the series were broadcast in two blocks each, with a season of Agent Carter airing in between.

Bell explained that this decision was made following the challenge of producing 22 episodes for the first season to be aired over 36—40 weeks, which meant having repeats and "losing momentum".

Instead, Agent Carter took up much of that gap in a row, leaving the back half of Agents of S. This upcoming season, our airdate schedule is a little different, so we're breaking it into three pods.

Story wise, the development of that has made our lives easier, to break it down in that way. Regarding whether they would break the fifth season into pods again as with season four, Bell said, "A episode arc is a lot for people to hold on to.

By breaking it up into either smaller arcs or different pods, by introducing a set of antagonists and putting them down, or moving from space to space, our experience has been that it's something the viewers enjoy, and it makes it a little easier to digest when you're telling some of these stories.

If everything is running back to back, it feels weird to start calling it different things We will try to have it in bite-sized chunks.

The complete first season was first released on Blu-ray and DVD on September 9, , [] with the complete second season released on September 18, , as an Amazon.

In the United States, the premiere episode of Agents of S. In March , Alisha Grauso of Forbes discussed the series and its ratings, describing the show as having "never quite been the ratings hit for ABC that the network had hoped it would be It's hard enough to write a film script that fits within the continuity of the larger Marvel Cinematic Universe, even harder to do it with a full-length TV season that must act as connective tissue to the larger world while still being its own thing.

Grauso concluded, "The end result for either scenario is that, hopefully, ratings move up and stay up.

In the first case, fans might be lost by the disconnect from the MCU, but a stronger storyline and more consistent writing would bring them and new fans back.

In the second scenario, fans would tune in every week for fear of missing out on a bit of story that's important to the larger world.

The website's consensus reads, " Agents of S. The website's consensus reads, "Still evolving in its third season, Agents of S.

The website's consensus reads, "Six seasons in and Agents of S. The way that the series is affected by the events of Captain America: The Winter Soldier has been called "miraculous", [] [] with Terri Schwartz at Zap2it writing "the fact that the movie so influenced the show is game-changing in terms of how the mediums of film and television can be interwoven", [] while Mary McNamara of the Los Angeles Times stated that Agents of S.

Club as making Agents of S. However, the series would now be "making things happen, and these events will clearly impact the future of the MCU".

Come the final frame [of the second season finale], all anyone—Marvel fan or otherwise—will be asking is when season three begins.

The third season's paralleling of themes from Captain America: Civil War was called "topical and relevant" and "downright eerie" by The A.

McCown compared the series' approach to setting up "a world distrustful of superpowers" to the real life events surrounding Cliven Bundy and Donald Trump 's presidential campaign , and said that " S.

Burt noted that the X-Men film franchise was expanding to television with the series Legion , but that S.

Burt felt that the similarities between S. Other similarities Burt discussed were the series' diverse and ensemble cast, its take on the mutant cure storyline , the parallels between Daisy Johnson's second season arc and the introduction of Rogue in the first X-Men film, and its social and political commentary.

With the latter, Burt also discussed the similarities between the Watchdogs and Donald Trump, calling it "not very subtle, but social commentary doesn't have to be.

I appreciate that Agents of S. It's perhaps the show's most X-Men -like quality. Additionally, Marc N. Kleinheinz at Screen Rant discussed how the series "continues to resist a status quo", from the destruction and rebuilding of S.

He noted that a major driving force behind the changes was the MCU films, with the series being forced "to constantly adapt to a changing narrative landscape that it has absolutely no control over.

However, Kleinheinz felt that this mindset also came from within the series crew rather than just from Marvel, saying, "there's also the storytelling modus operandi that showrunners Jed Whedon and Maurissa Tancharoen have very obviously demonstrated during their four-year tenure.

It seems that constantly staking out new ground from season to season is just as much a personal predilection as it is, possibly, a corporate mandate.

During the Agents of Hydra pod in the fourth season, Collider. When all's said and done, whether you support or disavow the current administration and what it's done with its time in office, does this commentary work here?

Sure it does We need to be able to laugh at what's going on in the world, regardless of whether we agree or disagree, but S. Ahead of the seventh and final season Shakeema Edwards of Vulture felt the series had "evolved into a science-fiction fantasia By constantly shifting its genre focus allowed the series to have fewer "filler episodes" and could "maintain its momentum within and between seasons".

The Atlantic named " 4, Hours " one of the best television episodes of By April , Marvel was developing a spin-off series of Agents of S.

A six-part digital series, Marvel's Agents of S. It follows Elena "Yo-Yo" Rodriguez on a secret mission, shortly before the start of season four, with Cordova-Buckley reprising her role.

Featuring art by a rotating group of artists including Carlos Pacheco , Alan Davis , and Chris Sprouse , the series is led by Agent Phil Coulson, and sees the canonical introduction of the characters Melinda May, Jemma Simmons, and Leo Fitz—who originated from the television series—to the Marvel comics universe, who Waid noted would be given "the Marvel Universe spin.

Coulson and his team have a mission, and if we need someone for a mission, everyone in the Marvel Universe is available as a potential Agent.

Their inclusion in the game was done to promote the start of the third season, as well as to allow Marvel to "extend storylines and build on backstories to engage fans in a brand-new experience," according to Marvel Games creative director Bill Rosemann.

From Wikipedia, the free encyclopedia. Redirected from Agents of Shield. This article is about the television series. For the comic book, see Agents of S.

For a list of the organization's agents, see List of S. American television series. Action Drama Science fiction Superhero.

Bear McCreary Jason Akers season 7. Garry A. Brown Chris Cheramie. Los Angeles Culver City. Further information: List of Agents of S.

Main article: List of Agents of S. See also: Production of season 1 , season 2 , season 3 , season 4 , season 5 , season 6 , and season 7.

The idea of [Coulson] as the long-suffering bureaucrat who deals with Tony Stark 's insufferability is delightful and hits the core of something I'm also writing about all the time—the little guy versus the big faceless organization We're part of the Marvel Cinematic Universe, and so Main article: Marvel's Most Wanted.

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Episode Guide. Follows the lives and cases of a dirty Los Angeles Police Department cop and the unit under his command.

Creator: Shawn Ryan. Available on Amazon. Added to Watchlist. Top-Rated Episodes S7. Error: please try again.

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How many episodes of The Shield have you seen? Share this Rating Title: The Shield — 8. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Episodes Seasons. Edit Cast Series cast summary: Michael Chiklis Vic Mackey 89 episodes, Catherine Dent Danni Sofer 89 episodes, Walton Goggins Shane Vendrell 89 episodes, Michael Jace Julien Lowe 89 episodes, Jay Karnes Holland Wagenbach 89 episodes, Benito Martinez Claudette Wyms 89 episodes, Cathy Cahlin Ryan Corrine Mackey 83 episodes, David Rees Snell Ronnie Gardocki 83 episodes, Kenny Johnson Curtis Lemansky 66 episodes, David Marciano Learn more More Like This.

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However, the tension of having the money gets to Lemansky, and in an off-the-cuff discussion, burns most of the money before the others can stop him.

This leads to the dissolution of the Strike Team. Dutch struggles to find a new balance while Claudette begins administrative duties.

Claudette's morality over a potentially incompetent defense attorney puts her career in jeopardy. After the fallout of being outed in the previous season, Lowe starts taking on a tougher demeanor making Claudette question his future.

Season 4 premiered on March 15, , and concluded on June 14, , consisting of 13 episodes. During this season, the members of the Strike Team become involved with the affairs of Antwon Mitchell , a highly respected drug lord who ends up blackmailing Vendrell to coerce his help.

Mackey, with the help of the new Barn Captain, Monica Rawling , manages to help Vendrell out of his situation, reunites the Strike Team, and eventually ends up with sufficient evidence to send Mitchell to jail.

However, Rawling finds herself let go as Captain due to her approach to seizing any assets tied to drug money. Claudette and Dutch continue to be shut out of meaningful cases by the DA's office forcing Dutch to make a backroom deal to save his and Claudette's career.

A rift forms between Lowe and Sofer over the seizure's policy. Aceveda uses the seizure's policy to get more power in city council and ultimately push his own agenda.

Season 5 premiered on January 10, , and concluded on March 21, , consisting of 11 episodes. Jon Kavanaugh on Lemansky, purportedly for not reporting a stash of drugs he had taken, but in actuality to find evidence of the Strike Team's misdoings.

Mackey learns of Kavanaugh's true intent, and tries to humiliate Kavanaugh to show the investigation is personal.

Enraged, Kavanaugh puts on more pressure and charges Lemansky. The Strike Team attempts to smuggle Lemansky out of the country, but Vendrell, fearing Lemansky will talk, kills him with a grenade, ending the investigation.

Dutch and Claudette focus on the serial killer they have no evidence against while it becomes clear Claudette's health is deteriorating.

Billings' weak management coupled with Kavanaugh's strong arm tactics force LAPD chief to name a stronger and independent Captain to the Barn, Claudette.

The producers of The Shield produced a minute "promosode", which premiered on Google on February 15, , to bridge the gap between seasons 5 and 6.

The episode focuses on the aftermath of Lem's death, including his funeral and flashbacks as co-workers reflect upon Det.

Lemansky's life. It was on bud. Season 6 premiered on April 3, , and concluded on June 5, , consisting of 10 episodes. The Strike Team struggles with Lemansky's death, and suspect one of the gangs committed it, but Vendrell remains quiet to his role.

Kavanaugh continues his investigation outside of Internal Affairs, but eventually forced to admit to planting evidence and is arrested.

Mackey learns he is being forced into early retirement and tries to fight back by proving his value. Tensions on the Strike Team led Vendrell to admit to killing Lemansky, and knowing that Mackey will likely kill him, he turns to the Armenian mob for protection, only to expose their role in the money-train heist, putting their families at risk.

Vendrell writes up all their crimes and mails duplicates to use as blackmail against Mackey. Dutch tries to adjust to his new partnership with Billings and his crush on Hanlon.

Sofer, recently promoted to Sergeant, tries to find balance being a single working mother. Lowe joins the Strike Team now under the command of Kevin Hiatt.

Aceveda finds a strong financial backer who may be too good to be true. Season 6 was originally intended to be aired as the second half of season 5, but FX decided to refer to these 10 episodes as season 6 instead.

Season 7 premiered on September 2, , and concluded on November 25, , consisting of 13 episodes. Mackey and Aceveda discover the Mexican cartel is looking to influence Farmington, and work with ICE to take them down.

Mackey also used the opportunity to secure a position at ICE in exchange for immunity for his crimes on the Strike Team.

The Barn gains significant evidence to arrest the Strike Team. Vendrell attempts to kill Mackey, but it goes awry, making him and his family fugitives of the law.

With no hold over Mackey, he kills himself and his family. Though given his ICE job, Mackey is left to run a desk lest he go against his terms and be arrested as well.

Dutch focuses on a kid he's certain will become a serial killer. Sofer attempts to keep Mackey out their son's life.

Corrine, scared when she finally realizes everything Vic is, asks for Claudette and Dutch's help. Claudette and Dutch make one final attempt to get evidence to arrest Vic Mackey and the rest of the Strike Team.

The series ends as Mackey, hearing sirens in the distance, takes his gun from his desk and heads out. The series was created by Shawn Ryan.

Ryan served as an executive producer for all seven seasons and was the series head writer and showrunner throughout its run.

Prior to creating the series Ryan had been working as a producer and writer for the supernatural detective series Angel.

He began his television career as a writer for the crime drama Nash Bridges. Nash Bridges was a more up-beat show, and Ryan was required to scripts that showed the hero succeeding in a positive way, and Ryan sought to write something far different to get that out of his system.

While trying to decide a direction, the Rampart scandal within the LAPD was exposed, and Ryan took inspiration from those events to craft out a pilot script.

He used this ending idea in the pilot for The Shield , not expecting to have to worry about any consequences as he wasn't sure the script would be picked up.

At the time, around the year , the FX network , a division under 21st Century Fox , was looking to find what would be the network's first drama series to help set the tone for their network, given the ongoing success of The Sopranos on rival network HBO.

FX's Kevin Reilly wanted a show about an antihero but believed that the cop genre had become tired.

However, Reilly was amazed by Ryan's script, and greenlit the show in mid Fox was assured by Training Day ' s reception from audiences that The Shield was allowed to continue, with the pilot first broadcast in March Ryan had written the part of Mackey for someone with a young Harrison Ford personality.

Chiklis had gained a soft reputation within Hollywood based on his roles from The Commish and Daddio , and felt that he needed to have a change of pace in future roles, as he was finding himself cast for older, overweight parts.

This allowed Ryan to write Mackey as a compassionate figure, able to get away with certain improper actions through his charisma, which served to draw fans to sympathize with Mackey throughout the series.

Scott Brazil was a co-executive producer for the first season. He became an executive producer for the second season.

He was a regular director for the series until his death during production of the sixth season. Brazil and Ryan had worked together on Nash Bridges.

Several of the series more junior writers became executive producers during its run. Glen Mazzara was an executive story editor for the first season and became an executive producer from the fifth season onwards.

Mazzara had also worked with Ryan on Nash Bridges. Kurt Sutter and Scott Rosenbaum were staff writers for the first season and became executive producers for the sixth season onwards.

Adam E. Fierro joined the crew as a co-producer and writer for the third season and was promoted to executive producer for the seventh season.

Veteran television writer Charles H. Eglee joined the crew as a consulting producer for the third season and was promoted to executive producer from the fifth season onwards.

He left the show to develop the Showtime serial killer drama Dexter. Nash Bridges writer and producer Reed Steiner replaced Arkadie as co-executive producer for the second season only.

Kevin G. Cremin was the series unit production manager throughout its run and became a co-executive producer from the sixth season onwards.

Angel writing team Elizabeth Craft and Sarah Fain joined the crew as co-producers for the third season and became supervising producers before leaving at the close of the sixth season.

Dean White was a producer and regular director throughout the series run. Star Michael Chiklis became a producer from the second season onwards and also regularly directed episodes.

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The Shield Imdb Video

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